Le Delice de Bourgogne

2 May

I’ve never been one to even consider getting myself permanently inked, mon amies. As shallow as it may sound, there’s nothing I’ve ever cared enough about to taint my skin. Not one thing that I think I’ll look at aged 75 and think, ‘Yep, good decision’.

Until last night.

It started as any typical work night does, milling about until I’m directed to either pour wine or eat, I mean serve, cheese and other delicious bit things. And cheese it turned out to be, much to my delight.

Being around great cheese is enough to put a smile on my face at any time, however, as the first cheese order came through, I realised that the night was to be life changing.

Sitting proudly on the order spike, the docket read one serve of Delice. I looked up at the cheese shelf, the Sao Miguel, Heidi Tilset, Chebris and Mossvale Blue all lined up like soldiers in a row. But no Delice- perhaps it was in the fridge due to the forgetfulness of the day staff.

Sure enough, wrapped in layers of foil and marked with masking tape, the Delice de Bourgogne lay cold in the fridge. My mind was racing with thoughts of how tricky and sticky this would make the cheese to serve, which normally cut like fresh tea cake and spread like butter.

I’d gotten it all wrong. As I slowly unwrapped the silver parcel, layer upon layer until the first glimpse of brilliant white sheath, I came to realise that this was the single most beautiful cheese I’d ever seen. Ripe beyond comprehension, the buttery glistening Delice was now oozing across the sheet of foil, no longer constrained by artificial bounds.

I stood for a moment to take it in, not quite believing just how gooey a refrigerated, 80% fat cheese could be. Then it struck me that I was responsible for cutting a 50g portion, neatly, and serving it with utensils other than spoons and straws.

As capable a woman as I like to think I am, re-enforcements were needed to help tame this voluptuous fromage, to catch and contain it before it ran off the bench. I watched as operation ‘Delice to plate’ took place, it require a steady and swift hand, paired with delicate slathering skills.

I couldn’t take my eyes off it as it was delivered to the lucky recipients- whom I doubted were aware of just how seasonally ripe and luscious the cheese was. This assumption proved correct, as they looked up at me after their first taste, a look of simultaneous joy and disbelief. No words needed to be said, just a simple nod of recognition (although this did lead to the invitation of after work drinks, of which I declined….this is another story, mon amies….)

I needed to wrap my taste buds around this immediately, if not sooner. Hastily, I made my way back to the fridge to ‘clean the cheese up’ – aka slathered it centimetres high on a piece of bread and head to an inconspicuous spot. I could feel the velvety texture coat my mouth as the slight tang paired with a subtle earthiness made itself known. Just a touch of chew popping up in the more intense pockets of rind. Eyes closed enjoying the flavoursome ride. Happiness in a bite- a food stuff so tasty that the sheer joy that it brings actually eliminates any calories involved.

I could have devoted this whole post to the splash of 1989 Sauternes I was lucky enough to sample later in the night, or the pan fried foie gras sneakily handed across the pass for secret snacks, but the Delice was the hero of a pretty unreal night gastronomy wise.

And just for the all-important body inking record, (also known as The Bank of Mum and Dad), no permanent markings in the name of the mighty Delice were actually made. It may just take an exceptional Bolli vintage to cross that line, so to speak…


Turning circles time again

14 Mar

How the heck is it French Film Festival time of year yet again? Time does tend to fly when you’re busy turning your world inside out and upside down.

Down to the business of le cinema. I grabbed a form guide and in true mother Phillips style, picked my number one highlighter and went to town. Along with my discerning film palate (see Cool Runnings), I invoked the help of Twitter to help make my selections- super cultural lot they are.

My carefully tabbed booklet then underwent a more serious examination, over a glass of Chablis, as I felt this would help guide my selection. Having booked tickets for two clear favourites, I’ve let my wild side loose and will leave one to chance on my next free day. Seriously, new lease on life, look at me go with the non-organisation.

After a day of busy work (yes, really) it was time to reward myself with some culture and Audrey Tautou. I’m beginning to suspect that it’s mandatory in French cinema now for all internationally release films to feature this lady. So off I trotted to indulge myself in ‘Delicacy’ and a glass of pinot. Essentially, Nathalie becomes a young widow, and throws herself back into work to get through the grief of it all. The catalyst to her recovery is aided by what Natalie thinks is a daydream. This is in fact reality and she ‘accidently’ kisses a Swedish colleague, Markus (that’s how it always happens in real life, yeah?)

I’m not going to give the whole plot away, as you’ll more than likely piece it together in the first 15 minutes of the film – that’s not necessarily a criticism though, as it allows you to enjoy the nuances of the story. There are some great comedic moments at the expense of Markus, but you can’t help but be charmed by the genuine, kind and sometimes fumbling giant. Plus, it’s no secret I have a soft spot for Swedes.  All in all, it’s not a film that will keep you guessing, it is however a beautiful exploration of grief, and happiness found in seemingly unlikely places.


Au revoir, mademoiselle

9 Mar

In sad news, mon amies, it has come to attention that one of my favourite words is being annexed from the le langue francaise. Unforgettably immortalised (for me) by Patsy Stone, ‘Mademoiselle’ will be abolished from all official Government forms.  Something to do with feminism, ‘connotations of virginity’, blah blah blah.

This makes me particularly upset, as it’s one of the only French words that roll off the tongue- again, thanks to the genius of Ab Fab and the repetitive nature by which I view the show. 

Furthermore, what would our dear Coco think of this development? One feels that this undermines one of her most popular fragrances.  Brand managers to your posts, crisis management strategy, stat! Re-naming to ‘Coco Chanel Madame’ just doesn’t sound as chic, no?

In happier developments, I’m beginning to figure out that there needs to be a certain level of trust placed in the mysterious ways of the universe. Just when you start to think the amount of crap being throw your way is someone’s idea of entertainment, a few simple emails can shine a light on your journey once again.

After a few freelance meetings and a foray back into wine pouring, I’m filled with a sense of purpose and excitement. Above all, a sense of incredible lightness knowing that the events of the past few months were acting in collusion to ensure my path to Bordeaux is materialising. A path lined with vineyards once more, and a smile I can’t seem to wipe off my face. 

Monsieur George Barbier

15 Feb

Visez au Coeur, Belles Dames!

Visez au Coeur, Belles Dames!

Le literature – part trois

13 Feb

“So much the worse for those who fear wine, for it is because they have some bad thoughts which they are afraid the liquor will extract from their hearts.” 

 ― Alexandre Dumas, The Count of Monte Cristo

Le Savvy Plonk

4 Feb

Sometimes after a tough week, you need to remind yourself what the game is all about. What is it that keeps the dream alive? I know it’s all very PC to look forward and perhaps even peripherally to find your inspiration, however, today I’m looking to the past. Mid 2008 to be exact, and to an honours thesis that included a mock-website called ‘Savvy Plonk’. I re-read this introduction, written by what was then a very idealistic 22 year old, and I can hand on heart say that I am proud of and believe in every word written:

As a 22-year old uni student, I feel like I am expected to know more about ‘Goon’ than Grenache, counting my drinks by the inflatable bag, rather than by loose corks. Now, there is no denying I have mixed the odd cask of ‘Fruity Lexia’ with some sickeningly sweet juice – it’s a rite of passage, similar to drinking a Guinness in Ireland. However, I feel the average uni student gets a bad rap when it comes to stereotypical alcohol consumption – well at least when it comes to product.

It has been my experience that uni is a time of transition regarding the development of alcoholic tastebuds. It reminds me of that awkward ‘tweenage’ stage and fashion choices. I remember being small enough to still shop in the children’s section, but had the swimmer’s shoulders that meant I was ready to move into ‘grown-up’ clothing. The children’s clothes were girly, all flowery and frilly, yet cheaper. The again, the older clothes were a little too mature, bordering on sexy – mostly importantly they were an unknown mass.

Fresh, first year students have most likely just moved out of home and are still working out budgets, discovering diversity, yet still going with the crowds to feel safe. Therefore, the cheap, cheerful cask wine is prevalent on drinking agendas, adjusting the taste according to fruity or dry wine and mixer drink. Many inventive party punches are a shining example of this. After one too many shocking hangovers, they start to branch out – perhaps drinking a bottle, rather than a bag of wine, an important catalyst of wine discovery and education.

The next challenge, generally coming into play around the late second year of study, is finding a good wine, a wine they enjoy to sip, not chug, mostly within the restriction of a student budget. It is here that a lucky minority, a community of wine loving students, are afforded the opportunity to guide their friends, and watch as they come to develop their own appreciation for wine.

I feel that recently, many of my friends have reached this stage, and I’ll often be on the receiving end of random phone calls to discuss a wine they just purchased or tried. This can also take the form of a food and wine matching hotline on occasion, something my parents are also guilty of utilising!

Savvy Plonk has been developed to help assist this transition into wine culture, after all, knowledge is power. Also, I find it starts a lot of good conversations. Some of the wines suggested here are a little hard to come by, some perhaps more than a student budget allows, but all are fantastic varietal examples that will provide an excellent basis for wine education.

Enjoy all that the wine experience has to offer. Grab a bunch of mates and a bottle of wine, cook dinner and share some laughs. Better yet, rock up to the nearest pretentious wine bar and tell them what’s what! Most importantly, never stop tasting.

 

 

Coco Avant Chanel

11 Jan

If you hadn’t noticed, I’m completely allaying my guilt over not yet finding a French Tutor (and getting back on the verb horse) by simply watching a lot of cinema francaise. This week’s pick is clearly given away but the title of the post- a woman of mystery I am not.

Coco Avant Chanel follows the life and times of the famous couturier Gabrielle Chanel- or Coco, as I feel we are all on nickname terms with la mademoiselle. I have always admired the simplicity and emphasis on tailoring in the Chanel collections, but have drooled from afar as my budget does not quite extend to a closet full of Coco’s finest.

Coco’s story is portrayed as true rags to riches- literally. Starting her formative years in an orphanage with her sister, Gabrielle is then seen working as a seamstress by day, and tarting it up (with style, naturally) at night in a sleazy club, trying to make ends meet. It is here that the nickname Coco sticks, and she meets one of her future lovers- a wealthy playboy with a spectacular house in the countryside, and a stable full of horses. Personally, I thought he was a selfish knob.

Anyway, the film develops into quite the twisted love story, involving the wealthy playboy knob and a charming, yet lying English prick. One of the screaming obviously points of the film for me is that Coco had appalling taste in men, and was content to spend her life as someone’s mistress.

For all her later success in building an iconic maison de fashion, there is an overt pain she holds in her face, a mourning for love. That said, Audrey Tautou (yes, Amelie) who plays Coco is such a tiny little thing, that it is entirely possible her expression is really a longing to go to town on a slab of Delice, rather than elegantly picking at food as the French women seem to do.

The fashion itself is not necessarily the lynch pin of the film, instead it is appropriately woven into the character’s development. As Coco gathers strength, momentum and a stronger idea of self, her simple clothing alterations evolve into original designs with new materials. She goes against the tide of the fluffy femininity and pastel colours, popular with women of her time- opting for a comfortable, minimal look that would become a signature of the label. As one reviewer commented, Coco was “a woman who loved fashion while despising the concept of the fashion victim”.

All in all, a more than enjoyable way to spend an afternoon. I lost count of how many times my housemate and I expressed a longing to move into a French Chateau, ride ponies and saunter around draped in Chanel chic.

I fear that the aftermath of this film might just lead to a written apology to the Chanel store on Collins Street, excusing myself from the hand and face impressions left on their windows. I guess for the moment I’ll just cling to the only Chanel in my closet- a vintage, black leather clutch with the famous quilt design and double C insignia. Never walk past a Shag Shop sale, mon amies.

Paris Je T’aime

28 Dec

So I finally made my way around to watching one of the movies on my ‘oh you want to move to France, you should definitely see this film’ list (which is roughly the length of War and Peace FYI). As I’ve moved into the post-Christmas detox period, the time was nigh to lay low with some iced water, a bucket of vegies and a quiet night in at Cinema Hornby.

Le film of choice? Paris Je T’aime- and for the record, I concur.

It’s almost unfair to pit the efforts of one director, Woody Allen with Midnight in Paris, to 18 directors in Paris Je T’aime, however if I did, I’d say latter were comprehensively victorious.

The movie isn’t a movie at all, in the singular sense; instead it allows the talents of 18 diverse directors to take their shot at telling a Parisian story, with love (fleeting, unrequited, broken, maternal and eternal) taking centre stage.  Cleverly, each story takes part in a different arrondissement, allowing the viewer to gain an understanding of cultural and societal differences that builds the La Ville-Lumière.

I’m not going to run through a synopsis of each short story, or even point out my favourites, because I think it’s best viewed without expectations. Plus, with a cast peppered with names such as Depardieu, Portman, Binoche and Dafoe, it’s particularly necessary to quell the temptation to conjure the path you’ll be taken down.

In conclusion, mon amies, use the downtime between now and the next silly season (see Sarah’s birthday), to catch up on this gem and I dare you not to start planning your next Paris adventure.

Le literature- part deux

28 Nov

“Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks.

They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful. ”

-Guy de Maupassant

Midnight in Paris

23 Nov

Midnight in Paris. The title strikes such hopefulness- add to that the name of a tres famous director (Monsieur Woody Allen), plus the likes of Marion Cotillard, Michael Sheen and Adrian Brody and any movie goer would be seduced into handing over their $20. Heck, even France’s first lady, Carla Bruni-Sarkozy, sticks her delicate little head in for a cameo.

Damn it, I expected to be romanced and swept off my feet. I expected to want to pack my life up and jump on a plane to Paris (instead of Bordeaux). I expected an engaging movie that I didn’t want to walk out of half way through.  I expected Owen Wilson to have some swoon worthy moves for a change.

Yes, the scenery was lovely- but really, it’s Paris. It’s not difficult to make Paris look every bit as breathtaking as it truly is.  And yes, the 1920s costumes had me coveting the wardrobe department of the movie, and considering making my next birthday a themed one.

But that’s really where my interested peaked. The movie felt clumsy, full of characters without a single redeeming quality and clunky connecting scenes and storylines. It just felt tacky.

Le sigh. Give me Carrie Bradshaw in An American Girl in Paris (Part Une and Deux) any day.

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